Plan A Visit

**With the health and safety of our community, volunteers and staff in mind the Mount Airy Museum of Regional History will be closing to the public at 5:00PM, Tuesday March 17 and will remain closed until further notice.  During this time the museum’s staff will be on site working during regular operating hours and can be reached by phone or email. As we work our way through this situation we’ll be launching some new web-based programming and activities so please follow our social media feeds for more information on those offerings as they develop. Our apologies for any inconvenience and thanks for your understanding and support.**

All of the information you, or your group will need to plan a visit to the museum, including our schedule, hours, rates & more!

If you are planning a visit for a school group, please see our "For Educators" section.

Click Here

Changing Exhibits

Coming Soon:  History on Two Wheels

Upcoming Events

Fri May 29 @ 8:00pm - 09:30pm
Historic Downtown Mount Airy Ghost Tours
Sat May 30 @ 1:00pm - 05:00pm
Blacksmithing Workshop

Who We Are


Mount Airy Museum of Regional History

IMG_8201_-_Copy_606x640 Ours is an all American story - typical of how communities grew up all across our great nation. While our story takes place in the back country of northwestern North Carolina at the foot of the Blue Ridge Mountains, it is likely to bear many similarities to the development of crossroads, towns, and cities throughout America.

It had taken little more than 100 years for the corridors along the coastline of this still-new continent to overflow. As tensions grew and conflicts flared, the pioneer spirit set in. Families literally packed up everything they owned and headed into the unknown-searching for the "promised land."

Mission Statement:

The Purpose of the Mount Airy Museum of Regional History is to  Collect, Preserve and Interpret the Natural, Historic, and Artistic Heritage of the Region

                                                                      Adopted by the Board of Directors   October 9, 1995

Find Us On Facebook

facebookSimply click the Facebook icon to the left to visit our Facebook page.


Mount Airy Museum Of Regional History

Museum event morphs and masks!

E-mail Print PDF

It’s not a costume party,” Matt Edwards, executive director of Mount Airy Museum of Regional History, was quick to point out as he spoke of the museum’s replacement for their popular “Casino Royale” fundraising event.

To put it in old movie terms, the museum is going less James Bond and more Cary Grant and Grace Kelly.

Last year, Edwards said he learned that the Casino Royale event “operated in a very gray area legally. It was pretty much black.”

After consulting with a number of lawyers and district attorneys, the museum board felt a casino event was not something with which they could move forward. It turns out, under North Carolina law, possession of the gaming tables and equipment used in casino nights are illegal to own, even if they are used for charity events.

Edwards said things looked up for a few minutes when a bill came before the NC legislature to allow non-profits to legally hold gaming fundraisers like the ones the museum has held in the past. But, just as it has done every two or three years for the past 25 years, said Edwards, it petered out and died in committee.

So the museum revamped its theme, and after considering a few things, decided on the classic dinner-dance model, and to tie in to the spirit of the season, made it a masked ball. Call it what you will, masquerade ball, masked ball, bal masque, it’s a black-tie-optional dinner/dance where guests wear masks.

Guests can make or purchase masks as extravagant — or not — as they wish.

“And we are happy to provide masks” for guests who don’t want to get into all that, Edwards said.

Will there be a grand unmasking at midnight? “No,” laughed Edwards. “Our crowd won’t make it to midnight.” And indeed the event is scheduled for 6:30 to 11 p.m.

Edwards said that when he came on board with the museum in 2009, the old-school black tie galas were starting to lose steam. The world had become a more casual place and there was less interest in dressing up than there had been before.

“The cost of putting them on exceeded profitability,” said Edwards. He is hoping this event will be heavily sponsored, with sponsorships still coming in.

The Casino Royale was a fresh angle for fundraising, but as it is no longer available, Edwards thought it was a good time to revisit the classic, especially with the added twist of a masquerade.

It’s an important decision, as the fall fundraising event funds about 15% of the museum’s overall budget for the year and is critical in funding day to day operations at the museum. Unlike most non-profits, the museum is on a calendar fiscal year and “this event is ‘make or break’ for us to end the year in a good place,” said Edwards. “And then we jump on that roller coaster all over again.”

Night For the Museum Masquerade Ball is Friday, from 6:30 – 11:30 p.m. at Cross Creek Country Club, 1129 Greenhill Road, Mount Airy. There will be food, music by Continental Divide featuring 2016 Carolina Beach Music Hall of Fame inductee Gene Pharr, a draw-down grand prize of $6,000 cash, and five periodic prizes of $100 and a silent/live auction featuring items such as vacation home rentals, sports equipment and artwork.

Tickets are $65 per person and draw-down tickets are $100. A couples package is available for $200 which includes two event tickets and one draw-down ticket.

For tickets or further information, call the museum at 336-786-4478 or contact a museum board member.

Pedal Cars Roll into Museum Display

E-mail Print PDF

The Mount Airy Museum of Regional History opened a new exhibit this week.

Many an adult will be transported back to a childhood long ago by the broad display of pedal cars on the third floor.

Pedal cars are small vehicles that a child could use to move about by pedaling like a bicycle.

According to Wikipedia, pedal cars derived from the quadracycle. When the first bicycles were under development in the mid-19th century, the bikes didn’t ride very well and weren’t stable. At the World’s Fair in 1983 in New York City, a quadracycle (or four-wheeled bike) was shown, the earliest recorded evidence.

Similar to its two-wheeled cousin, sometimes called the velocipede, the quadracycle had two huge wheels supporting where the rider sat with two tiny wheels for balance. Over the next few decades, both the two-wheel and four-wheel designs would shrink the large wheels down. The first modern-looking bike reportedly was debuted in 1885. The tiny, children’s version of a quadracycle would show up just a few years later, based off a new invention: the horseless carriage.

When introduced in the 1890s, pedal cars “captured the grandeur of a new mechanical and industrial age,” says one display in the exhibit. Their styling mimicked both the transportation methods of the day (like early cars) to creations captured in the imaginations of young readers like rocket ships.

The earliest pedal cars were considered quite expensive for their day, but the appeal was so widespread that less affluent parents and children would build their own replicas out of whatever materials they could find.

While baby boomers may think of their childhood days as the golden age of pedal cars, the museum research shows that the real peak was before the Great Depression hit in the early 1930s.

Because of its reliance on metal, pedal car production halted altogether during World War II because all metal production was directed to war efforts.

There was a pedal car resurgence during the baby boom days after World War II.

After JFK made his proclamation that the U.S. would put a man on the moon by the end of the 1960s, imaginations turned toward the space age.

Pedal car companies tried to change with the times, offering more futuristic designs, but there was also a growing industry of plastic toys stealing market share. One rival combined both plastic and pedaling with the Big Wheel from Louis Marx and Co. in 1969 — and immortalized in the 1977 horror film “The Shining.”

During the 1970s, one of the pedal car leaders, Murray, converted to lawnmower production.

Since 1979, companies like Rubbermaid and Fisher Price have made all-plastic vehicles similar to pedal cars.

Still, the baby boomers who grew up in the 1950s and ’60s brought a nostalgic revival of the pedal car at the start of the 21st century. The older models have been brought out of attics, basements and barns to be restored and displayed.

Website is dedicated to the history of these toys.

“They have a fabulous build quality unlike the plastic models that came out in the late 1970s,” says the website. “These pedal cars and other toys were constructed with pure steel.”

If a company were trying to build a new pedal car by the standards of yesteryear, the costs would be a couple of hundred dollars, the site notes.

And for classics in mint condition, the values can be sky high. For example, a 1955 Chevrolet pedal car can go for as much as $1,750, the site quotes. A 1922 Model T Ford would cost a whopping $2,800.

Rather than pay those kind of prices, the admission fee for the museum is only $6 for adults, $5 for seniors, $4 for students and free for children 4 and under.

For more information on the museum, check out the web page at

93.7% eclipse well-received locally

E-mail Print PDF

With cereal boxes and shoe boxes aimed skyward, children and science enthusiasts of all ages peered into the heavens Monday for a rare glimpse of the sun being eclipsed by the moon.

Feb. 26, 1979, was the last time a total eclipse was visible within the 48 contiguous states of the United States. Not since 1919 has an eclipse crossed both East and West coasts. Yesterday’s event, called “The Great American Eclipse” by some, according to AccuWeather, because it’s entire path was within the United States, was the first time that had happened since before the United States became a country in 1776, according to Reuters.

Reuters predicted $694 million dollars in lost productivity as workers took time off to view the celestial spectacle. All across Mount Airy, where the eclipse was 93.76 percent total, parking lots, sidewalks and open spaces contained people doing exactly that.

Mount Airy Museum of Regional History was the center of local activity with 70 to 75 people of all ages showing up for an eclipse viewing event at the museum with many of them arriving exactly at 1 p.m. when the event began, and more than an hour and a half before the eclipse would reach its peak.

“You’d think we were giving out gold from the sky,” said Karen Nealis, administrative assistant, of the deluge of attendees.

Participants’ time was well-spent building viewing boxes up on the third floor before moving down to the museum’s courtyard to view the eclipse. Some people used eclipse glasses made for the occasion but plenty of others went DIY and converted cereal boxes, shoe boxes and small shipping boxes into viewing apparatuses to get a view of the eclipse without burning out their retinas.

James Caudill, 10, of Mount Airy, got the best results of anyone from a year-old recycled science project that he brought out for the occasion. His mom, Jennie Lowry, said “To be honest, when he made it, we didn’t know anything about the eclipse coming up.” She was pleasantly surprised James was able to find it. James’ project was a large box with one open side and the eclipse was easy to follow just by looking into the box.

Other folks were not having such an easy time of it. “You kind of have to wiggle it around and get a little bit of light,” advised Sonya Laney, director of education for the museum, as she assisted children who were not having as much luck as James.

“It was like so awesome,” said Emma Edwards, age 5, after getting a good look at the eclipse through her Raisins, Dates and Pecans cereal box.

Harrison Lee, 8, of King, came to the museum with his grandmother, Nancy Jo Goad, of Mount Airy. Harrison got a look at the eclipse and said, “It’s kind of like a little tiny crescent moon and a string.”

Aubrey Lowe, who admits to being 70-something, enjoys celestial events and often watches meteor showers with his daughter. They stand back to back outdoors in the open so that between the two of them, they can see the whole sky until one of them spots some action.

Yesterday’s eclipse was a little easier to find.”It’s going to get pretty shady,” Lowe said, as 2:40 p.m., the time of maximum eclipse, approached, “It’s amazing how our scientists figured out exactly when it was going to happen. I don’t know how they gathered all that information.”

“I’m glad people were so excited about the eclipse,” said Sonya Laney of the event’s large turnout. As the eclipse came and went, with the sky darkening and the temperature dropping, with young and old alike impressed with the eclipse, Laney confessed she was afraid things might not have gone so well.

“I’m not so sure why I thought nature was going to be disappointing,” she said.

There will be another total eclipse on April 8, 2024, but the path of totality will be a bit further away from Mount Airy. The museum has not yet announced plans for a viewing event.

Get to know a few ghostly town residents

E-mail Print PDF

Visitors and local residents walk the streets of Mount Airy, but they aren’t alone.  According to local legends, the real-life Mayberry plays host to a number of ghosts. And in a 90-minute tour visitors can become acquainted with them, their stories and some of the history of the city.  Matt Edwards, executive director of the Mount Airy Museum of Regional History, said about six years ago he was approached with a new idea — ghost tours.  Edwards can’t take credit for the idea or the implementation of the program though. He said a museum volunteer, Mark Brown, stepped up to the plate and built the program.  Brown, who is also involved in community theater, designed the initial ghost tour from 13 stories, some of which hit pretty close to home. “The museum is home to several,” said Brown, who explained that spirits often attach themselves to items or places which meant something to them in their lives.

That’s likely the story behind the Lady in White, said Brown. She was last spotted in the stairs leading to the clock tower at the museum. When a medium visited, she determined the woman was a nurse, and she likely showed up at the museum with some medical equipment that was donated. “At first we wondered if she was a prostitute ghost,” said Brown. “The museum sits on the site of a former saloon.”  With a large building filled with old stuff, Brown said the museum is filled with spirits like the Lady in White. “We are kind of running a retirement home for ghosts,” joked Brown.

The building which houses the museum meant a lot to Mr. Merritt, who built it, and he still keeps an eye on it. Mr. Merritt sightings are pretty frequent, and though Brown has never seen him, he knows Mr. Merritt better than most. On New Year’s Eve a few years ago, Brown was tasked with lowering a lighted sheriff’s badge from the roof of the museum. As he passed through the dark third floor a few minutes before midnight, he said, “Come on Mr. Merritt. Let’s go up on the roof.” Brown said he is afraid of heights. After carrying out his duties he had a panic attack on the roof. He laid down flat, and Brown’s dad came up to check on him. “When my dad got up on the roof he saw me laying down and somebody standing over me,” said Brown. “Mr. Merritt must have come up on the roof after all.” Edwards said the tales of those two ghosts are two of more than 20 stories folks on a ghost tour might hear. When the community got word of the ghost tours, they submitted a number of other ghostly tales. “Ghost stories are like Hawaiian shirts. Once you have some, people give you more,” joked Edwards.

Edwards said the tours are guided by four regular guides and two trained fill-in guides. Though they all know the stories of the 21 or 22 ghosts they can choose which stories to tell on any given night. Thus, Edwards said one is likely to get a different ghost tour experience every time he or she takes a tour. Many of the guides have backgrounds in theater like Brown, and others have a background in story-telling. Such experience makes for an entertaining 90 minutes of wandering around downtown Mount Airy. And for the history buffs, Edwards is making sure those storytellers aren’t concocting a story about too big of a fish. “The historian in me wanted to make sure this was factually accurate,” said Edwards. That stated, Edwards said the tour is about ghosts, so a little imaginative license is granted to guides. “It’s entertaining, and it’s a great way to share some of our local history,” said Edwards. “There is some sort of documented paranormal activity surrounding most of the ghosts.” Looking back at the tour’s origins, Edwards had to admit, he was skeptical at first. “I wasn’t a huge proponent of the idea after it was pitched to me,” recounted Edwards. “I wasn’t sold. I just didn’t get it.” However, the museum’s board president at the time advocated quite hard for the program. Eventually, Edwards gave in, and now he’s glad he did.

About 1,000 people annually hop on a ghost tour on Friday or Saturday nights. At $13 per person, that makes the tours a great source of revenue for the museum. “It’s been a tremendous program for the museum,” said Edwards. “It’s a good, dependable source of income for our non-profit organization.” Edwards said ghost tours begin at 8 p.m. on Friday and Saturday evenings from the Memorial Day holiday through November. The cost for the tour is $13 per person, and tours are capped at 20 people. Individuals interested in taking a tour may call the museum at 786-4478, or book online at Groups of ten or more can arrange a tour for another night or during the off-season, added Edwards.

Page 5 of 32